What happened on the stages of Glastonbury yesterday was not just disgraceful; it was sickening, dangerous, and chillinglyreminiscent of a modern-day Nazi rally. When Bob Vylan chanted “Death, death to the IDF” and Kneecap urged fans to “start a riot” outside a court where one of their members facesterrorism-related charges, it was public incitement, not performance. The explicit calls for violence against Jews, broadcast live by the BBC without interruption, literally gave hate a stage, amicrophone, and the stamp of legitimacy of one of Britain’s most respected public institutions.
This was a calculated act of hate speech, glorifying violence and dehumanizing Jews through the demonization of Israel. The bileonce spewed at fascist rallies in 1930s Europe is now being blasted from British concert stages, cheered on by huge crowds and broadcast by taxpayer-funded media. If festival organizers andbroadcasters can’t (or won’t) foresee violent speech against Jews, the Glastonbury concert-goers certainly could: horrifically, the crowd of thousands was primed to join in call and response toBob Vylan’s hateful chant.
At Coachella earlier this year, we saw similar antisemitic themes thinly disguised as activism. Cultural spaces once devoted topeace and unity are being hijacked to mainstream hate.
And Glastonbury’s bland response? Saying the chants merely “crossed a line” and offering vague “reminders” to artists is notaccountability—it’s cowardice. When confronted with explicit calls for violence against Jews, anything short of absolute condemnation and corrective action is complicity.
On October 7, 2023, hundreds of young people were massacred and taken hostage by Hamas terrorists at Israel’s Nova music festival.To hear calls for the death of Jews at a music event in the UK is deeply retraumatizing and terrifying. When young Jews attend a music festival, they are murdered; when young Britons attend one,they’re calling for those murders.
This is a moment of reckoning. Festival organizers, media outlets, and artists must choose: will they be platforms for peace, orenablers of hate? Because silence is not neutrality, it is a green light for bigotry.
Festivals must be prepared to halt performances that invoke hate; broadcasters must air festivals on deferred live and use theirkill switch to take hate speech immediately off the air.
Never again is not a slogan: It’s a responsibility. And it’s being betrayed on the world’s biggest stages.
For further information, please email Erik Simon at esimon@wiesenthal.com, Deborah Camiel at dcamiel@wiesenthal.com, join the Center on Facebook, or follow @simonwiesenthal for news updates sent directly to your X feed.
The Simon Wiesenthal Center is an international Jewish human rights organization. It holds consultative status atthe United Nations, UNESCO, the OSCE, the Council of Europe, the OAS, and the Latin American Parliament (PARLATINO).